Thursday, September 2, 2010

Thoughts on Plato's Cave

The first time I read the allegory of the cave, the underlying thought that kept popping up in my head was, “how do the prisoners even stay alive without food/water?” Reading it the second time, I tried to think about the story a bit more carefully. My impression after a fair amount of thinking is that the cave must represent the universe. Talking to Alexandra, it occurred to me, maybe the cave represents not so much the universe, but our life. It represents our life and what we see around us, and escaping the cave means that we realize something wrong, and then start moving in a new direction because we find something wrong, or a veil of ignorance is lifted from our eyes. Though there is something about this interpretation that bothers me. It’s the idea that while we escape from one cave, and get out, the next area might be outside, but it’s just a bigger cave. This interpretation seems a bit more in line with the interpretations offered in class, but still feels somewhat artificial to me, unlike my initial impression.

If the cave represents the universe, then there is a slight flaw because then escaping the cave might literally mean escaping the universe which would be weird. However after some contemplation, being out of the cave and under the sun might instead mean enlightenment. As Shakyamuni (also known as Siddhatha the first Buddha) became enlightened, escaping would be the journey he took to become enlightened, and seeing the outside of the cave would be the full enlightenment that he had obtained. Going back to talk to the others would be similar to how after he became enlightened he took on students to try to enlighten them. It's interesting though because one of the images in Buddhism that is painted is that we are all asleep. We see, but we do not because our eyes have not truly opened, but when we become truly aware of our senses is when we have awakened and have reached enlightenment. This is rather similar to the images that are painted by the allegory, the idea of the prisoners being unable to perceive beyond the shadows. Though this might be a narrow view, and also doesn’t account for some certain points given in the allegory. There are Bodhisattvas who, after reaching enlightenment, don’t move on to nirvana (or heaven) they choose to stay here with us on earth to guide others. It is a huge sacrifice and it also goes against Plato’s assumption that the escaped prisoner would reject their old way of life to never want to return. The Bodhisattvas specifically return and reject the outside of the cave to guide others along the way and not necessarily because they pity them.

It also occurred to me that maybe more encompassing would be the view that escaping the cave would be like following the steps of the first immortal (translated as immortal or fairy though immortal isn't quite correct), Lao Zi. With this view, then escaping the cave doesn't become quite enlightenment but actual escape from the world, so to speak, because being in the sun would be becoming a god and going to heaven. The escape process would then be the long period that one would train to become a god, slowly attaining the different steps until the final step is made. Being out of the cave would be when one has finally reached the end of their path and have finally attained godhood, and able to finally ascend to heaven. However then after being able to ascend they can choose to stay in heaven or leave as they please.

One thing that I’ve come to realize is that Plato describes the prisoner as eventually accepting the outside of the cave. Though what’s interesting is that if you look at most people, and put them in a place they’ve never been before initially there’s the reaction of fascination and awe. Later however they reject it, and want to go back the way things were. An example, well fictional one I guess, is John the Savage from Aldous Huxley’s Brave New World. John at first is taken by the Utopia, and he learns about them. Ultimately however, John the Savage rejects his new state of enlightenment and commits suicide. This point also makes me think of Muad Dib, the Kwisatz Haderach, in Frank Herbert’s Dune. Paul Atreides (Muad Dib’s original name) says “The Sleeper has awakened” and he’s referring to his new perception, in the story he changes so that he’s able to see the past present and future at the same time wherever her walks. However at first he sees the future and he feels he can change things. By the second book, he starts to realize he can’t change it, and instead by the end of it rejects the reality he created, and the future he sees. His response is that he exiles himself.

1 comment:

  1. Hi Weyman,
    Since we had an extended conversation about this blog after class last week, I'm going to post an abbreviated response this time. One thing that I think is important to keep in mind is the allegorical dimensions of the story. Plato in a lot of ways is keeping it extraordinarily simple because he wants to make a simple series of points. The upshot of this is there are myriad interpretations of his basic symbols. That said, it is constructive to view those symbols as literally as he presents them. If we look at his exact terms, the cave would only symbolize the universe in as much as we're talking about the dynamics of knowledge within that universe--- where the mind can go and how it gets there (or not, based on its limitations). Since every aspect of the allegory is predicated on the prisoner's experience and then understanding (or lack thereof) of his various environments (cave-sun-return to cave), any interpretation of this material would need to be conducted from the perspectives of phenomenology and knowledge-- whether one's subject would be the individual mind or the human mind in general.

    These things being said, cosmology is of course an epistemological science, as is ethics. Many philosophers, Siddhartha included, integrate the two because of this essential common denominator. That may be why "I Heart Huckabees" was the first movie recommendation I thought of when talking with you Friday. I think you'll find a lot of substance it, though not necessarily "answers". Sometimes answers are less interesting and engaging than the questions anyway, something I think the director of this movie would agree with. The one x-factor in all of this revolves around compassion and service: themselves being answers to life's ultimate dilemmas (most especially in Buddhism). If this ends up being of more interest to you, consider Jet Li's great film "Fearless" as a movie choice.

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